![]() A lamp cord is basically just a speaker cord, you know? I run it into the input on this old tape recorder, which overloaded it, and what a sound. ![]() I took a lamp speaker cord and put two alligator clamps on the end of it and I popped them on the backside of one of the 10-inch speakers in my (Fender) Super Reverb (guitar amplifier). And so, I started inventing my own style and I came up with a sound. Travis, what inspired you to come up with your own fuzz-tone, using an old tape recorder, to use on your signature instrumental, “Scratchy”?īack then, there were two great guitar players I thought were probably the best at the time: Merle Travis and Chet Atkins. Below are edited excerpts from the conversation. In addition to guitars, gear innovations and classic FAME sessions, we also touched on one of his non-musical interests: snake hunting. On a recent morning, Wammack checked in for a phone interview. VIP tickets are $100 (plus $2.50 service charge). Tickets for the FAME Gang reunion are $30 (plus $2.50 service charge), available via. The Shoals Theater show boasts other notables, such as soul-singers deluxe Candi Staton and Willie Hightower, for a W.C. concert features a reunited FAME Gang, that iconic studio’s post-Swampers session players which included (among others) Wammack, guitarist Junior Lowe, keyboardist Clayton, percussionist Mickey Buckins, bassist Bob Wray, horn players Ronnie Eades, Harvey Thompson and Aaron Varnell. On July 28, Wammack will appear as part of a tribute to the late FAME Studios genius Rick Hall at Florence’s Shoals Theater, address 123 N. Later, Wammack, who resides in Tuscumbia, spent more than a decade as rock pioneer Little Richard’s bandleader. The Mississippi-born, Memphis-honed Wammack would go on to play on an array of vintage Muscle Shoals hits, by artists ranging from Clarence Carter to The Osmonds. His breakneck guitar licks on that vinyl single’s B-side, “Fire Fly,” mixed chicken-pickin’, surf-rock and teenager braggadocio – and were a precursor to guitar-hero shredding. Wammack even dropped a backwards vocals snippet into the middle of his otherwise all-instrumental 1964 single “Scratchy,” before The Beatles popularized the trippy studio trick. Prior to mass-produced light-gauge guitar strings, he swapped out his Gibson’s G-string with an A-tenor banjo-string to facilitate gonzo bends. In more than one way, guitarist Travis Wammack was ahead of his time.Īs a teenager he built a makeshift fuzz-box, before guitar effects-pedals were widely produced.
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